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by Derek Lee Miller • Jul. 29
Management | Vision
Is audience participation the wave of the future, or just another pothole on the bumpy road to audience engagement?
by Ira Brooker • Mar. 28
A reader wonders who a review of 'Othello' was meant for, and it's not an easy answer.
by Dominic Orlando • Jan. 21
"This is a mosaic of adulthood we all recognize, even if we never moved more than a mile from home."
by Sam L Landman • Apr. 6
"Phil was the epitome of a working actor. He traveled where the work was and brought that formidable talent with him."
by Matt McGeachy • Dec. 5
Matt McGeachy reviews "A Civil War Christmas," the first in a series of reviews this month.
by Sam L Landman • Jun. 30
A cavalcade of Minnesota actors reveal what acting is all about by describing what it isn't
by Levi Weinhagen • Jun. 29
There is really no way to become a competent and capable artist of any kind without learning by doing.
by Beth Chaplin • Jun. 28
How do we price our worth – our work, time, talent, experience and expertise?
by Kathy Graves • Jun. 24
Artists develop lasting connections with audiences and donors by authentically representing themselves
by Caleb and Katy McEwen • Jun. 13
Katy & Caleb McEwen admit how they balance family and work life.
by John Middleton • Jun. 6
Tradition | Vision
What does it mean to think like an artist?
by Joshua English Scrimshaw • May. 31
Joshua English Scrimshaw answers the question what do artists who do comedy think of the phrase "more than just comedy."
by Mary Kay and Bob Zabel • May. 20
Art is essential because art is language.
by Shanan Custer • May. 16
Do we work for money or love of our art?
by Marya Hornbacher • Apr. 25
Chicago and Minneapolis; Sex and Song; the practical and literal versus the conceptual and suggestive; the heart and body versus the mind.
by Sarah Rattanavong-Wash • Apr. 3
Sarah Rattanavong-Wash investigates whether social media really builds audiences.
by Matt McGeachy • Mar. 25
Matt McGeachy waxes eloquently on the two P's of writer's block.
by Tom Poole • Mar. 17
Playwright Tom Poole cracks wise on critics of dance and on dance criticism.
See it this week at Illusion Theater in Minneapolis. Presented by Green T Productions.
Heather Quigley performs in 2001: A Space Odyssey playing at Illusion Theater this month.
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