by Adia Morris • Oct. 20
The dance and theater communities in the Twin Cities are like the Twin Cities--connected yet oddly separated. Let's build a bridge across the river divide.
by Dominic Orlando • Oct. 16
You may think you've seen enough of this play. You'll want to see this version anyway.
Posted Oct. 15
After words |
Everyone looked great. Honorees cried. Dancers danced. How do the Sage Awards compare to other awards shows?
by Sophie Kerman • Oct. 15
Katherine Glover attempts to tackle an enormous, thorny, provocative topic in her newest play, but the topic wiggles out her grasp.
by Derek Lee Miller • Oct. 13
Innovation | Management | Vision
Another LORT theater goes down. RIP Georgia Shakespeare.
by Paul de Cordova • Oct. 13
Innovation | Training | Vision
We've got a globe-trotting, Twin Cities improv and theater Ambassador in our midst. You should know her better.
by Ira Brooker • Oct. 9
It's a play about how things work, but Ira can't figure out how it works. He only knows that it does.
by Dominic Orlando • Oct. 8
In idyllic Lanesboro, MN, 13 actors make Stoppard's 3 hour play an effortless trip through time.
by Derek Lee Miller • Oct. 7
Horror, recovery, and other things. It's a grab bag this week as we hurtle into fall.
by Alan M. Berks • Oct. 6
We've been challenged to invest in even better arts journalism. Your support until midnight is doubled.
See it this week at Intermedia Arts in Minneapolis. Presented by Theatre Pro Rata.
Andrew Troth produces Double Feature: The Antichrist Cometh and Brilliant Traces playing at Ames Center this month.
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