by Derek Lee Miller • Mar. 11
Innovation | Management
The struggle to find the spaces to perform in continues. (Also, what not to do when adapting Shakespeare.)
by Paul Herwig • Mar. 9
A local artist heads to Toronto's SummerWorks festival to see how the Twin Cities scene stacks up against some of Canada's finest.
by Dominic Orlando • Mar. 6
Dominic Orlando digs into 'Tristan & Yseult,' 'Shakespeare’s Will' and 'The Ballad of Emmett Till.'
by Gemma Irish • Mar. 6
A dispatch from Dayjob Land reminds us how the corporate world can inform our artistic existence.
by Derek Lee Miller • Mar. 3
Fringe | Production | Tradition
More about lottery, protests and death; less about everyone's favorite award show.
by Charles Campbell • Mar. 3
Charles Campbell asks himself "What's up?" and gets an answer as complex as it is exhilarating.
by Paul de Cordova • Feb. 27
"I can see it all blending: hip-hop, spoken word, traditional theater forms. It’s like a playground where all these things can come together."
by Allana Olson • Feb. 26
After a life-changing injury, a theater technician offers an education on the hard facts of freelancing.
by Derek Lee Miller • Feb. 25
Audience | Production | Training
In Washington, D.C., a panel discussion of artistic directors breaks open every can of worms. Believe it or not, this does matter to us in Minnesota.
by Charles Campbell • Feb. 20
Charles Campbell kicks off a series on change in the arts with a look at personal evolution.
See it this week at The Peoples Center Theater in Minneapolis. Presented by Candid Theater Co..
Shanan Custer Love, Loss, and What I Wore playing at Theatre in the Round this month.
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