by Derek Lee Miller • Sep. 23
What do the Iveys mean this year? I actually surprise myself with my answer.
by Dominic Orlando • Sep. 22
What do "Ashland" and "Cabaret" have in common? Dominic advocates for the mixing of styles into what can only be described as "adult pleasure".
by Alan M. Berks • Sep. 19
Check out this video preview of the new website. Learn more about the calendar and the talent books.
by John Middleton • Sep. 18
TBT: A comprehensive, sequential warm-up from breath to yoga to centering—um, does anyone else feel a little numb right now?
by Matthew Foster • Sep. 17
Introducing Matthew Foster as one of our new critics. Come for the opinion; stay for the way with words.
by Derek Lee Miller • Sep. 16
Innovation | Social Service | Vision
You may ask yourself what's theater for? You may ask yourself how did I get here? You may ask yourself my god, what have I done?
by Sam L Landman • Sep. 15
John Lilleberg had an enormous effect on people who worked with him.
by Ira Brooker • Sep. 15
A sometimes forgotten excellence of live performance is its impermanence and adaptability, like basketball.
by C. Andrew Mayer • Sep. 11
TBT: In the next 5-10 years, the Baby Boomer founders of most of the metro's mid-sized nonprofits will retire soon. Is it a crisis?
by Sophie Kerman • Sep. 10
Though this difficult world makes escapist theater a welcome distraction, Sophie is most lifted up by The Lower Depths.
See it this week at Intermedia Arts in Minneapolis. Presented by Theatre Pro Rata.
Andrew Troth produces Double Feature: The Antichrist Cometh and Brilliant Traces playing at Ames Center this month.
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