by Richard Chin • Apr. 17
Celebrations of the Bard are coming hot and heavy this year. A founder of a new Shakespeare film fest explains why we can't have too many.
by Dominic Orlando • Apr. 15
The Jungle's latest is well-written, well-produced, well-acted and well worth seeing. And yet...
by Derek Lee Miller • Apr. 15
Audience | Production
The New York Times says straight men don't like Broadway anymore. (Wait... they did before?)
by Paul de Cordova • Apr. 8
"I wish I was excited as a theater artist to see more theater. How do we get theaters to really encourage artists to come see the work?"
by Derek Lee Miller • Apr. 8
Signs of spring, politics, and a play that can't seem to settle in one theater.
by Laura Holway • Apr. 6
Laura Holway loves a nontraditional performance space, but there are always some trade-offs involved.
by Tane S. Danger • Apr. 2
Businesses are starting to catch on, but what will it take to get the general public saying, "Yes, and...?"
by Derek Lee Miller • Mar. 31
Fringe | Greater Minnesota | Production | Social Service | Tradition
Some of the stories we talked about before have continued on. Let's follow them again!
by Nathan Bergstedt • Mar. 30
A small-town theater company treks to the Twin Cities and learns a bit about itself along the way.
by Ira Brooker • Mar. 28
A reader wonders who a review of 'Othello' was meant for, and it's not an easy answer.
See it this week at The American Swedish Institute in Minneapolis. Presented by Theatre Coup d'Etat.
Brian Columbus performs in 1984 playing at Intermedia Arts this month.
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