by Ira Brooker • Jun. 2
Theater folks love their nontraditional spaces, but are they always an asset to the art?
by Paul de Cordova • May. 28
"When I’m playing a big emotional moment at Ten Thousand Things, I feel big enough to fill the Guthrie, I just don’t have to."
by Derek Lee Miller • May. 27
The Tony nominations have been out for a month. I guess it's time to figure out what they mean.
by Dominic Orlando • May. 22
Everyone from Joseph Campbell to Bertolt Brecht to Dominic's Aunt Rose weighs in on two new, heroic productions.
by Derek Lee Miller • May. 20
The Green Line is coming on line soon. Will it make or break St. Paul's new arts district?
by Gemma Irish • May. 18
Working with others doesn't always come easily for writers, but if you want to be in theater you'd better get over it.
by Marya Hornbacher • May. 15
A new exploration of an unsung artist is flawed, and that's a good thing. The gender balance of local critics is also flawed, and that's not as good.
by Derek Lee Miller • May. 13
Process | Production
What's everyone announcing now that I will forget later? Let's review.
by Dawn Brodey • May. 11
As another crop of theater grads hits the outside world, Dawn Brodey offers some tips for survival.
by Dominic Orlando • May. 8
Can a working artist ever feel comfortable as a critic in his or her own discipline?
See it this week at Intermedia Arts in Minneapolis. Presented by Theatre Pro Rata.
John Middleton performs in 1984 playing at Intermedia Arts this month.
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